His more recent work incorporates electron microscopes and manipulates microorganisms to explore issues of scale while unveiling both the familiar and the strange in spaces that are typically inaccessible to the human eye. Obama Artist: Vik Muniz 2013 In this photo the artist uses small symbols of what the president stands for, what he has become and where the history has lead him. Rena Branstein Gallery, San Francisco, CA Exhibition date are TBA Here, Muniz uses the same image to evoke the superficial glamour of Hollywood through his choice of material, in this case the dust from diamonds. At this point, he decided to focus on photography as the essential medium for his work, revealing his concern for "the logic of perception." "undefined":c(e))}function a(e){return"symbol"==("undefined"==typeof e? Muniz says that he does not believe in originals. 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By Charles Ashley Stainback and Mark Alice Durant, By Aracy Amaral / Time Magazine crowned Barack Obama 2012 person of the year and commissioned this portrait by artist Vik Muniz. ", Gelatin silver print - The Metropolitan Museum of Art, New York. Enshrining his unusual assemblages in the medium of photography, Vik Muniz's art adds new dimensions to established notions of representation. One day he noticed two people fighting in. He returned to New York with Polaroids of the children, reproducing them into temporary images "by sifting various types of sugar onto black paper." Vik Muniz es un artista brasileo que produce obras enfocadas en la sustentabilidad. (t.translateY=0,i="STATIC"):i="up"===this.direction?this._getAffixTypeScrollingUp():this._getAffixTypeScrollingDown(),t.translateY=Math.max(0,t.translateY),t.translateY=Math.min(t.containerHeight,t.translateY),t.translateY=Math.round(t.translateY),t.lastViewportTop=t.viewportTop,i}},{key:"_getAffixTypeScrollingDown",value:function(){var t=this.dimensions,e=t.sidebarHeight+t.containerTop,i=t.viewportTop+t.topSpacing,n=t.viewportBottom-t.bottomSpacing,o=this.affixedType;return this.isSidebarFitsViewport()?t.sidebarHeight+i>=t.containerBottom?(t.translateY=t.containerBottom-e,o="CONTAINER-BOTTOM"):i>=t.containerTop&&(t.translateY=i-t.containerTop,o="VIEWPORT-TOP"):t.containerBottom<=n?(t.translateY=t.containerBottom-e,o="CONTAINER-BOTTOM"):e+t.translateY<=n? The artist obsessively collects vintage photographs and postcards and then shreds and collages these pieces to create bold new imagery magnified to a staggering scale. Similar to Gordon Matta-Clark's cutting of holes into architecture slated for demolition, Muniz's Clouds created a work of art from the idea of absence: there was no art object, since the medium of the work was smoke, and this is one of the few mature works by Muniz in which photography did not play a direct role in the creation. Working with a dizzying array of unconventional materialsincluding sugar, tomato sauce, diamonds, magazine clippings, chocolate syrup, dust, and junkMuniz painstakingly builds tableaux before recording them with his camera. Curator and historian Pedro Corra do Lago asserts that the series is "a fundamental contribution to the thinking and practice of art at the turn of the century. Proceeds from the sale of thePictures of Garbage prints were donated to the catadores and the co-operative they founded to support their mission to improve life in their community. Muniz works in a range of media, from trash to peanut butter and jelly. He lived in the East Village and worked various jobs while taking night classes in theater direction and set design. 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